Saturday, April 10, 2010

journal part 2

Week 9
Hollis Frampton- Poetic Justice: Possible Idea for remake. If I would do it though, I'd make it more fun. Perhaps mimicking the cinematic nature that the original subverts. Perhaps I'd redo a Michael Bay movie, or have some cutaway shots to the objects on my desk ( like my Akira figurines)

Colin Campbell- Sackville, I'm Yours: As someone from a similar --ville this really speaks to me. My friends, family, and I essentially had the same attitude where we were just gracing the town with our presence. I'm up for any art that's willing to parody itself. I actually have a friend who goes to school in Sackville there, and this sounds pretty accurate. I really enjoy this piece. Makes me want to do more persona and acting based stuff in my own work.

John Smith- The Girl Chewing Gum: A twist! This one had me fooled for a while. Film language is pretty all encompassing when we not only are completely aware of cinematic language, but actual behind the scenes movie language. I've been struggling with my self reflective writing instincts and it always makes me wonder who I'm making this for.

Pierre Huyghe- The Third Memory: This works really well because it retains a cinematic style in spite of itself, and the robber man actually has some swagger. Usually these kind of things are ridiculously boring because the guy is sitting down and speaks in a monotone.

Vito Acconci- Prying: This is really unsettling. I like the rhythm of it, it almost becomes like a boxing match or something similar. Attack-repulsion-rest. Over and over again. The most disturbing part is when she relaxes her body so that he can attempt to get her eye open again. The white eye is also pretty terrifying.

Open Book: The distortion of language is pretty interesting, and the power dynamic of Vito's pleading is also something to talk about, but that's what everyone else wants to talk about. I want to talk about the physicality of this thing. This turns the mouth into something else. I am now aware of every single element of Vito Acconci's mouth without being able to remember his face. This means his mouth is a different organ, without relation to a chin or a nose. It's pretty amazing how his mouth is still able to express pain, perhaps that's just projected empathy. I think the fact that his teeth are fucking gross helps express the alien pain being expressed here.

Cory Archangel: This is really cool. I like how contemporary artists these days are more fun. The internet has become a perpetual motion machine for nostalgia. People just keep worshipping the same fucking game from more than 20 years ago. Everyone is making stuff around Mario from Corey Archangel to some anonymous guy.

Week 10

Colin Campbell- I'm A Voyeur: I like how this isn't threatening. It's playful and a little narcissistic. I immediately identify with this voyeur. The male on male gaze is a nice change of pace. There isn't a threat of gender violence and now that a lot of the taboo around homosexuality has passed, it's easier to focus on voyeurism as an act in and out of itself. Definitely interesting in the age of the internet, with chatroulette and facebook where people actively put out for strangers.

Paul Chan- Baghdad in No Particular Order: Good Documentary. The Whitney Huston song is always going to be connected to Christian the Lion for me. It's effective and sad, but it follows documentary language pretty well.

Ideas for 2nd project

Gary Hill- Around And About: I want to take a heavily structured poem and break it down phonetically to mean something else and play the two versions together, one audibly and the other textually. Here's a sestina I wrote that I'm thinking of treating.

... meanwhile across town, Vincent was handing out leaflets infront of the bakery where Jerry worked...


These were written in haste, a testament

to nothing which Vincent believed worthy

of stacks and stacks and hours at the xerox

electric-mint coloured light shooting through

his retinas. “I’ve got so much to say!”

“I can’t say it anywhere else but here”


“Yes, I know, but what are you saying here

“I don’t make statements, It’s my testament

to existence, what else is there to say

Aside from I’m here and I am worthy

of your consideration, it is through

material I become. The xerox


is my voice and through it, Through the xerox

I extend new clunky genitals, Here

I am Mighty Hermaphrodite Through

cumming and birthing I spew testament

after testament, each one as worthy

As I, father, mother, am. What I say



no what I am, It’s too easy to say

but if I am, at you. If I xerox

my heart onto yours because you’re worthy

to have me there, your heart right here.

And there begat the fall, the testament

of a finger on a woman’s breast. Through


sudden sentiments come statements and through

an angry grip sounds form language. To say

“snap”, “crunch” means something as the testament

of broken fingers. Cascades of xeroxed

paper squealed around FatherMother here

reduced and puffy under the worthless


sun. “What did he even mean by worthy?”

“What did he mean by anything? He’s through

anyway.” And in the bakery, there

cracked and ripped, crying into cakes, He said

nothing, clutching remaining xeroxes

the corpse of his hyperreal testament.


Here under his thumb his face is xeroxed

with a caption that says some testament

to worthiness that he didn’t read through.


This proved to be next to impossible however. to create the amount of text files necessary to make this would overload my computer. I would have to make something like this on flash.


2nd Idea

combination of Prying and Open Book


To have water semi force fed to my mouth which will be the only thing in the frame. This would be intercut with footage from The Exorcists "Let Christ fuck you scene" and hardcore pornography. I would make my performance ambiguous to whether I am resisting or not. I would also work in music However when shooting this, my performance was problematic as it turned into me being actually drowned and I could only shoot a minute of footage at a time. I will redo this but the resulting footage lacked the ambiguous nature that I wanted. Especially after I shot footage of me just lounging around on the bed in my underwear attempting to imitate internet porn tease preludes. It felt kind of misogynist so I abandoned the idea for the time being.


3rd Idea

Open Book


Following the element of Vito Acconci's Open Book that I thought was the most interesting. The reduction of the mouth into an abstract organ, semi sexual, semi horrible. I played up the sexy element by making my mouth as seductive as possible. Slowly opening and then drawing the lens of the camera deep into my mouth. I did not say anything as to avoid any interpretation aside from the physical thing that was happening. You can hear me gag a bit at the end which is simultaneously sexual and ingestive.

Saturday, February 13, 2010

Retroactive Journal

Week 1:
Charlemaigne Palestine: Four Motion Studies (1974)
The screaming definitely is reminiscent of his work in The Theatre of Eternal Music.
I disagree with his notion that "The perceiver is in as much danger, as much in the drama of the sequence as I am". The screaming alienates us from what's going on, it makes us aware of what he's going through as a completely different thing than what we will ever experience.
Regardless of what he was intending, I still believe it was an effective example of making unaltered footage seem abstract.

Peter CAMPUS: Double Vision (1971)
The various experiments with two camera feeds often lead to an experience of aesthetic catharsis, much like geometric shapes being put together in a symmetrical pattern.

Lynda BENGLIS: Now (1973)
The most interesting work we saw this week. It works with feedback, sexual imagery, and director/performer relations. It was also really funny so double points.

Dan GRAHAM: Performer/Audience/Mirror (1975)
Video to record performance art. Cute idea for performance but I would be more interested in seeing it live.

Dara BIRNBAUM: Technology/Transformation: Wonder Woman
I've seen this one before. I really enjoy it. I like using popular culture to subvert concepts and practices of representation, without being completely obvious about what it's trying to say (unlike the Gorilla Girls who I will go on record saying they are the least interesting satirists that I have ever come across).

Gary HILL: Around and About (1980)
Subverting meaning by using non sequitur visuals to accompany audio narrative. I'm thinking about doing the same kind of thing for my own work.

Vito ACCONCI: Theme Song (1973)
I like what Vito is trying to do. He's putting me in the role of the woman and as a woman I find him absolutely exhausting.

ANT FARM & T.R. UTHCO: The Eternal Frame (1975)
The best work of the week. I like the concept of celebrity heaven where I imagine Princess Diana and Morgan Freeman will both end up with Henry the 8th.

Week2:

Gary HILL - Solstice d'hiver (1993)
Somnolent and novel. Abstracting the crushing routine of daily life.

Andy WARHOL - Eat/ Empire (1964)
Seen it. I know it. I don't have to watch it.

James BENNING: 13 Lakes (2004)
I don't particularly like landscape photography so I don't know why landscape would be any different, it isn't. It's good to subvert my expectations, but it doesn't mean that I'm going to pay attention.

Bruce NAUMAN - Stamping in the Studio (1968)
Not much to say about this that the write up won't say. I like the way he moves, it's kind of a dance.

Bruce NAUMAN - Elke Allowing The Floor to Rise Up Over Her, Face Up (1973)
Another video recording of a performance, but this one the camera plays a much more interesting role. By him choosing the angles, the performer has the ability to potentially bamboozle the viewer.

Vito ACCONCI - Centers (1973)
Vito Acconci has switched from hitting on me to being scared of me, I'm winning.
http://www.youtube.com/watch?v=na2W38tLp_Q

Jack GOLDSTEIN - Knife/ Terry FOX - The Children's Tapes
Cinema=pictorial. Video=performative.

Week 3:

Gary HILL: Blind Spot (2003)
great subversion of political expectation of representation of the arab male (might not be real sentence)

Michael SNOW: SSHTOORTY (2005)
despite what some of my peers say I am certain that was all one take.

Martin ARNOLD - Alone: Life Wastes Andy Hardy (1998)
Best one so far. Mickey Rooney is sexualized (I like the way he moves), Judy Garland becomes a robot. Creating narrative out of fragments.

Hollis FRAMPTON: Critical Mass (1971)
10 points to me for being able to follow it. 30 points to that classmate who dissected it.

Week 5:
Points to Brock for showing Michel Gondry, it is imperative that we bridge this video/cinematic divide.

Week 6:
Very excited that I got to present my favourite guy in the whole world.
The expanded/compressed time projects were for the most part interesting but the conversation would at times devolve into guess work.
Time is relative, one video can make real time seem expanded or compressed. The guy who recorded himself by accident.

Friday, December 4, 2009

This uses music that I don't own. It belongs to WMG. I'm not going to make money of this. This is for an art class.

Thursday, November 12, 2009

Sound:
James Tenney: http://www.youtube.com/watch?v=xC7sdH2XvbU

Harry Partch: http://www.youtube.com/watch?v=mOHBqFevy0k

Steve Reitch:http://www.cloud-dance-festival.org.uk/index.php/View-Video/67/Cloud-Dance-Come-out-to-show-them.html
http://www.youtube.com/watch?v=Z6r3HDn6wFU
http://blogs.citypages.com/gimmenoise/2008/02/good_dancing_an.php

Dan Deacon: http://www.youtube.com/watch?v=1aG3nKuRqKU

Hydraulophone: http://www.youtube.com/watch?v=tgU0OZkGhGI

Panda Bear: http://www.youtube.com/watch?v=25_gjUbvqNg

My Life in the Bush of Ghosts

Metal Machine: http://www.youtube.com/watch?v=Zr0KkzbbqPI&feature=fvw remix:http://www.youtube.com/watch?v=Eq0Qx9JiLZI

Music For Airports: http://www.youtube.com/watch?v=B9kPIp4MtX0

No Wave: http://www.youtube.com/watch?v=laQjL_IDMkI&feature=related

Space Becomes The Instrument: http://www.youtube.com/watch?v=2_UsPvJimAs

Lamonte Young: http://www.youtube.com/watch?v=yfZzz58VUaw

DJ Shadow, Entroducing: http://www.youtube.com/watch?v=nmzHRGoKca0&feature=related
The Third Decade, Our Move: http://www.youtube.com/watch?v=M-zXlOgosys

Jimmy Jay Roeche: http://www.youtube.com/watch?v=m_95dLyvVmU&feature=player_embedded#at=61
http://www.youtube.com/watch?v=9cETUr_5w04&feature=channel

Theremin: http://www.youtube.com/watch?v=d5EzKtn2ARE

Alvino Rey: http://www.youtube.com/watch?v=IKrhaFlHNBk

Pete Drake: http://www.dailymotion.com/video/x9f80z_pete-drake-forever_music

The Avalanches: http://www.youtube.com/watch?v=U8BWBn26bX0

Thursday, October 1, 2009

Eavesdrop

Time: 10:50 am to 11:00 am Location: Accolade West, First Floor

( During this period there was a tour of the university taking place)

We had four originally... based on the appliance... is he a student or is he uhhhh... but he would’ve, would’ve uh... yes... so um, I actually... bullshit. .... so yeah, yeah, she was like... it’s not even funny... yeah especially... she has a sister... never heard me suffer... basically ( pause) it’s constantly( pause) back in forth... that’s bullshit, oh my god... the professor has his choice of lecture options... He may choose to use overhead... go home... if you really like... text me, i’ll fucking like... brrr... that would only happen in a small lecture... true... yeah... if communism worked, I’d be a communist... it’s not... small... small... lectures... media discussion... the russian government was smart... that complicated... I love this poster I found... um it’s shadowy... the russian has a gun... I swear to god... ten cents per copy... I’ll stab your eye with a fork... prison guys to fight in the cold war... (russian accent) fight for mother russia... one choice... shit... He’s not even sorry... does he even know... automatically... I didn’t know this, but that chart... no... oh yeah... but like but like... that’s a major... so.... um ok first of all..

Soundtrack of my life

Location: My Room, 87 Driftwood Avenue, Unit 43

Things that I can hear at the moment, not counting my keyboard.

Traffic, which from this distance sounds like somebody breathing loudly while they sleep. A plane is going, a high wheezing descent down the chromatic scale. Something is making a humming noise which is slowly getting higher and lower in waves. The inside of my mouth makes a noise as little bubbles are formed and popped in percolating rhythm whenever I move my tongue and cheeks.To my knowledge there is nothing else in my bedroom so far which can distract from the symphony of sounds a couple blocks over. But down the hall there shows some signs of life. Maybe my housemate is moving some stuff around. I like how the size, speed, and distance of the different vehicles gives each one a different tone. Another plane. My throat gurgled the involuntary gurgle of morning. Is there a sound which says “brush your teeth”? If so, I am definitely hearing it right now. A lull, a bird, a horn. My computer remains at a constant buzz with each keystroke giving a different percussive sound overtop.